WHO WE ARE
Undone Theatre is a London-based theatre company focussing on experimenting with different forms of storytelling and undoing classical narratives.
Whether it is an entirely new piece or a complete rewrite of a classical text, we create relevant new work that questions and challenges traditional forms of storytelling.
We are interested in showcasing queer perspectives, non-linear narratives and stories that voice multiple viewpoints.
Gabriele Uboldi (he/him) is an award-winning and Arts Council England funded director, playwright, dramaturg and producer based in London. He is a migrant artist with a focus on formal experimentation, mediatised theatre and queer performance. He is currently training at RADA and Birkbeck.
With a focus on re-working classical texts, Uboldi has written and directed bold adaptations of Sophocles' Oedipus Rex (2020) and Euripides' Bacchae (2017; Edinburgh Fringe 2018). His pieces, such as Death in the Quad (2018), are often immersive, site-specific and inclusive of live music, dance and physical theatre. Uboldi's directorial style is heavily influenced by his background in Social Anthropology as well as his interests in performance theory, performance in cross-cultural contexts, queer performance and relational aesthetics.
Chloe Ashley (she/her) is a freelance producer and stage manager based in London. Alongside her work at Undone, Chloe freelances as creative producer at Pathway Theatre. She is currently enrolled in the Diploma for Creative Producing, established by the CGO Institute.
Previously, she has worked as part of the technical crew at Pleasance Theatre Trust Edinburgh (2019). Chloe has worked on numerous regional productions at the Byre Theatre, St Andrews and held the position of Festival Director of the On The Rocks Festival from 2018-2019. Chloe has a particular interest in producing new writing and physical theatre.
Georgia Luckhurst (she/her) is a poet and playwright originally from Scotland. Her work has been featured in the Evening Standard, Hearing Aid magazine, and Vague Visages. She writes most often about feminism, the body, and pop culture, and when she's not drafting poetry on those themes, she's sending a tweet about them.
Joey Jepps (he/him) is a director and writer originally from Hong Kong. He is currently studying on the MA Text and Performance course at RADA and Birkbeck.
Focussing on identity politics, Joey is interested in how entertaining, visually striking theatre can disguise important, thought-provoking questions. Joey has worked at the intersection of theatre and media, with a background in musical theatre and extensive experience in online performance, having directed five digital shows since the start of the pandemic.
Sam Rees (he/him) is a maker-of and thinker-about theatre from East Anglia whose practice is heavily influenced by 20th Century European performance, with a specific emphasis on cabaret and the epic theatre of Brecht. He is co-artistic director of We Talk of Horses Theatre, resident playwright with Carmen Collective and has worked as an assistant for internationally-renowned director Roger Haines.
His critically-acclaimed work has been performed across the country, praised as ‘laugh out loud funny, heart-breaking and incredibly human’ (Lady Parts Review) and ‘one of the most beautiful things I’ve seen in a theatre’ (Yusuf Niazi). He is also a published poet, monthly contributor to online magazine online/conversations, and is working towards the publication of his first academic article.